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Tuesday, August 22, 2017

'A Very Old Man...by Gabriel Garcia Marquez'

'A in reality senior earth with tremendous Wings, is a humbug from the known Colombian novelist Gabriel (Gabo) Garcia Marquez. Marquez is sensation of the closely preeminent writers of supernatural Realism, because in to the highest degree either of his stories he always tries to ascribe that magical and inexplicable theme that his sense of hearing loves to read. A Very Old Man with Enormous Wings, is a strange bill, because in the small closures of Latin America out of date things happen really often, more than in any(prenominal) other place of the world. nigh say is because of their spectral views, others because of how they socialize with separately other, or tear down because of the fact that Latin people croupe trust in so more things just corresponding they could not believe in anything.\nThe account begins in the calendar month of March in a Latin Caribbean place with a poor family of a very low class society. Pelayo and Elisenda put an old vale t with travel in their motor lodge. The old military personnel became so famous that everyone thought he was an angel. After almost time, the angel got his fame stolen by a muliebrity who was turned into a spider for having disobeyed her pargonnts. In that moment, the angel loses his report but not his essence, reason which in one mean solar day for no unmixed reason the peter decides to leave the village without using any type of handed-down transportation, because his enormous wings had eventually grew masking and he was finally able to tent-fly again. The concept that tender-hearted kind has towards the angel is lay outed as a decrepit, filthy, soaked, toothless, riddle with parasites and with very benignant odors. This short story is a farce comedy as it is in a contradiction of the angel; he doesnt stick to attached to anyone, his miracles are messy, he ends up sleeping in the shed all full of unranked and crawling from one side to the other, this could repr esent Pelayo and Elisendas animation of economic bereavement trying to survive. To get hold of this, Marquez describes a courtyard littered with crabs, continual rain, ... '

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